Amorepacific Museum of Art: Elmgreen & Dragset

From the moment you step into the exhibition space, it feels unique—like entering a 'strange place' rather than a typical museum. The bright lighting, the cold walls, everything seems slightly out of sync with reality, and that dissonance is part of the charm of this exhibition. The first thing you encounter is an empty diving board above a non-existent swimming pool. There’s no one there, yet it feels as if someone had just been present. The lingering emotional traces stay with you. The artwork conveys 'emptiness' while subtly stirring emotions—loneliness, isolation, and a sense of familiarity all at once. It’s not just a sculpture; it’s a 'scene' that tells a story. Another striking installation was the hospital corridor. On one side, abandoned beds and chairs; on the other, a clean but unsettling atmosphere under fluorescent lights. It evokes the familiar yet unspoken emotions tied to hospitals, visually condensed into the space. The work is too intricate to simply pass by, yet staying too long feels emotionally heavy. Some pieces were surprisingly humorous, like a sculpture of a man in a suit with his head against the wall, or figures leaning against trees, staring at corners. These scenes are familiar yet strange, pitiful yet amusing, ultimately prompting self-reflection. The entire exhibition felt like one cohesive narrative. While each piece was powerful on its own, following the overall flow gave the impression of entering and exiting a distinct world. True to its title, 'We Have Embraced Each Other,' the works explored themes of emptiness, relationships, isolation, and understanding. In the final space, the phrase 'We Have Embraced Each Other' resonated deeply—not physically, but emotionally. The Amorepacific Museum of Art utilized its space exceptionally well. The placement of the artworks balanced minimalism with engaging visuals, and the viewing paths were naturally connected without confusion. Photography was allowed, making it easy to document the experience, though I’d recommend focusing on observing the works deeply rather than taking pictures. In summary, this exhibition was a visual exploration of 'modern emotions.' It went beyond showcasing impressive installations, offering a gentle yet profound experience of confronting inner emptiness and anxiety. It’s suitable for solo visits, or with close friends or partners, but I’d especially recommend going alone for quiet emotional reflection. You leave feeling oddly comforted, and perhaps with an urge to embrace someone.